POSTS

Richard Jeffrey Newman

Thank You For Thinking It

My father swore by his second wife’s liver,
cut thin, fried with onions,
seasoned he-didn’t-know-how,
but it just about melted in your mouth, he said.
I slouched silent in the front seat.
My brother made no sound in the back.
Liver was, would always be,
the inch thick slab of blood red meat
our stepfather forced us once to eat with him

and here,

in the span of the breath you are half holding,
the white space of this stanza break
where you predict what comes next,
the possible violence
George did to us
when we tried to refuse
what he put on our plates
is almost as palpable to you
as this pen in my hand is to me,

but the truth is
I have no memory of that meal,
except that the cow’s organ
made me gag.


As a poet and essayist, Richard Jeffrey Newman’s work explores the impact of feminism on his life as a man. As a co-translator of classical Persian poetry, he writes about the impact of that cannon on our contemporary lives. His most recent books are For My Son, A Kind of Prayer (Ghostbird Press 2016) and the translation The Teller of Tales: Stories from Ferdowsi’s Shahameh (Junction Press 2011). He is also the author of The Silence of Men (Cavankerry Press 2006) and Selections from Saadi’s Gulistan and Selections from Saadi’s Bustan (Global Scholarly Publications, 2004 & 2006). A new book of poems, Words for What Those Men Have Done, is forthcoming later this year from Guernica Editions. Newman is on the executive board of Newtown Literary, a Queens, NY-based literary non-profit and curates the First Tuesdays reading series in Jackson Heights, NY. His poems, essays, and translations have appeared in a wide range of publications, including Salon.com, The American VoiceAnother Chicago MagazinePrairie SchoonerDiodeNew Verse NewsUnlikely StoriesCipherEkleksographia, and Dirty Goat. He is Professor of English at Nassau Community College in Garden City, NY, where he also serves as secretary of his faculty union, The Nassau Community College Federation of Teachers (NCCFT). His website is richardjnewman.com.

Khadija Anderson

The Best Husband

Malik was married when he was 13 to a woman in her 30’s. Since men aren’t allowed to choose their own wives, Malik’s mother found her through distant family members. You could say Malik and Ayesha were cousins, but that would be a stretch. 

Malik was confused at the announcement that he would be married to someone he had only met once, especially since he had read that The Prophet had said people had the choice to turn down a potential spouse if they didn’t want to marry them. Malik asked his mother about this and she said “I know what is best for you sweet-cheeks, especially when it comes to marriage.” End of discussion. 

On his wedding day, Malik was dressed in lovely white clothing, his hair was done, and his father applied kohl to his large brown eyes. The Imam was dressed in a flowing green, heavily embroidered, loose gown with a gold hijab and she conducted the marriage ceremony in the front of the mosque with all the women while Malik and his friends waited in the men’s area behind a screen in the basement of the mosque. 

Malik and his friends had long since given up on talking to their mothers about being separated into a different area of the mosque from the women. Their mothers all agreed that all they ever did was gossip and watch the younger children, they didn’t even really need to go there to pray so why give up valuable space in the main room? The fact that men during the time of The Prophet had been allowed in the same room as the women worshippers and also had their concerns answered by The Prophet directly seemed not to matter. Times had changed since those legendary Camelot-like days. Besides, their mothers told them that real men preferred to sit in another area of the mosque away from the lustful eyes of the women.

Malik’s bride Ayesha wore a gorgeous, expensive navy blue traditional gown with white hijab. Her gold bangles and rings sparkled and shone. She looked every bit the powerful yet pious woman that she was. The Imam asked what mahr she was giving Malik. She giggled and said she had purchased a new bedroom suite and set of cookware for her husband. A man’s place is in the home and Malik would be expected to keep the house clean and perform his husbandly duties in the bedroom when requested by his wife. If Ayesha was ever unsatisfied with Malik for any reason whatsoever, she could divorce him instantly merely by uttering “Talaq, Talaq, Talaq!”, “I divorce you” three times. 

Malik was not told that he could stipulate a request for divorce in his marriage contract, it was the law in the country in which they lived, but no matter – even though it was legal, not many Imams would grant a divorce to a man even if there was a serious problem. The men would be told to have patience (even with various degrees of domestic abuse) as this was a test from God and those with great patience would go to heaven.

Next, the Imam went down the 2 flights of stairs to the men’s basement area to have Malik sign the wedding contract. It was a simple form and specified that Malik could keep the mahr if Ayesha divorced him. He signed the paper in his curly middle-school writing, completing it with a heart dotting the “i” in his name, while his friends did their best to hold in their emotions at the thought of Malik’s upcoming wedding night. Malik however was not so ecstatic. From the time he was told he would be married, Malik searched all the Islamic doctrine he could find, especially the Qur’an, yet he could find nothing to validate these practices except keeping the mahr after divorce. Malik asked his mother about these inconsistencies and she said, “Men are not as fully understanding of the world stud-muffin, it is a wife’s job to guide her husband and I am sure Ayesha will do just that.” End of discussion.

On the way to the wedding banquet, the Imam congratulated the couple and reminded Malik that the best husband is the one who is quiet and guards his modesty. 


Khadija Anderson—Muslim, Anarchist, and mother (not necessarily in that order)—returned to her hometown of Los Angeles after 18 years exile in Seattle. Khadija’s poetry has been published in Angel City ReviewMobiusSwitched-on GuttenbergAbout Place, and many other online and print journals and anthologies. Her poem “Islam for Americans” was nominated for a Pushcart Prize and her first book of poetry, History of Butoh was published in 2012. 

Gay Degani

Locomotion

As the 7:05 rattles behind our trailer park, the cuckoo pops from his wooden house, and you stomp in from the bedroom, clutching Baby upside down against your chest. She knows this isn’t play.

You are Godzilla, crackling in primal celluloid. When I say, “Don’t hurt her,” you turn Technicolor, Kansas into Oz, all saturated purples and red, hi-fidelity loud, and call me whore. 

I drop forks and spoons and knives back into the dishwater. Turn toward you. The walls thump in and out. 

“Let me have her. Please,” I beg.

You brandish teeth, your nostrils bloom. Your anger shakes the air.

I slip my hands beneath her arms to pull her free. My child, crushed between us, whimpers.

You let go, surprising me, her weight a sudden burden. I dive to catch her, you collapsing with us to the cracked linoleum floor, hissing in my ear, and then the knife I didn’t drop, answers, and you go grainy black and white in the fading light.

The cuckoo bird retreats, the train is gone.


Gay Degani is the author of a full-length collection of short stories, Rattle of Want (Pure Slush Press, 2015), and a suspense novel, What Came Before (Truth Serum Press, 2016). She’s had four flash pieces nominated for Pushcart consideration and won the 11th Glass Woman Prize. She blogs at Words in Place.

Daniel Hudon

Thinking of the Bramble Cay Melomys

Perhaps it thrived for awhile 
in the minds of scientists 
who thought, I wonder 
how it’s faring on that tiny atoll
with the waves surging so high,
rolling over the cay, traveling so far
inland, flooding the myriad caves
and hiding places. Does it still forage
for its favorite succulent, thieve a few
turtle eggs while sneaking past the shorebirds? 
How can it be faring on that shrinking island? 

And so they travel to the island
to test the reality with cameras and traps,
hope to glimpse its long mosaic tail,
reddish-brown fur and small ears,
catch a few for a captive breeding program,
save it from forever.  And as each day passes,
the waves roll over the cay 
and the water floods the myriad caves 
and hiding places, the wind grinds the island,
parches the vegetation, so that the cay
waxes and wanes in size and shape,  
and the scientists become more 
and more depressed: the cameras
reveal nothing and the traps catch nothing
so they report, “No tracks were seen and no
scat was discovered.” 

When they bring their
cameras and traps home empty 
they think of the windswept cay, 
the surging waves that inundate the tiny island, 
and the shorebirds and turtles that nest there. 


Daniel Hudon is the author of the new book about the biodiversity crisis, Brief Eulogies for Lost Animals: An Extinction Reader (Pen and Anvil). He works as an adjunct lecturer in astronomy and math. Originally from Canada, he now lives in Boston, MA. More of his writing can be found at his website danielhudon.com, and you can follow him on Twitter @daniel_hudon.

Christopher Bolin

Immersion Data

and teams deployed to dye-test the lakes’
high-water marks 

               and dye the egrets’ legs and egrets’ necks 
the color of the sky 
               to say we lost them in migration or in 

migration films; 
               and teams to document 

the language camps, and the children
in costumes

which would not catch 
                              on machines, in foreign factories;
                              or to document the children

not drowning                              to the calling 
                              of their Christian names; 

and teams crossing each lake 
to use the islands 

as memorials 

               of the mainland; 


Christopher Bolin’s first book, Ascension Theory, was a Foreword Reviews Book of the Year Award finalist, and his next book is forthcoming from the University of Iowa Press, in 2018.  He has published poems in jubilatConduitPost Road, Lana TurnerHyperallergic, and other journals, and has held fellowships from the MacDowell Colony, Yaddo, the James A. Michener Foundation, and the University of Iowa. Christopher teaches at the College of St. Benedict / St. John’s University, in Minnesota.

Annie Kantar

LAZIZ THE TIGER TRANSFERRED FROM WORLD’S WORST ZOO

Khan Younis, Gaza

Beginnings are hard, he scrawled in the sand of his cage. Never give up, his mother said. Sometimes he saw the keeper stuffing dead birds. Once, it was a monkey or pelican. Sometimes, he found it hard to breathe, with all that sawdust.  He had a cross breeze through the bars, the call to prayer, a bowl of water, an enviable BMI. With good grades plus some bureaucratic luck, he had immigration. Sometimes when he woke, a white deer with fresh black stripes appeared. The children had wanted a zebra; it made them feel they were in a real zoo.


Annie Kantar’s poems and translations of poetry have appeared or are forthcoming in American Literary Review, Barrow StreetThe Cincinnati Review, Literary ImaginationPoetry DailyPoetry InternationalTikkunVerse Daily, and elsewhere. Her translation from the Hebrew of With This Night, the final collection of poetry that Leah Goldberg published during her lifetime, was published by University of Texas Press in 2011, and was shortlisted for the ALTA Translation Prize.

Amanda Gillespie

An Artificial Address

The following is a selection from Adam T. Model 9’s famous “I am a mind” speech, Washington D.C., March 12, 2817.

       Four score, seven years, three days, eleven hours, ten minutes, and 7.3698 seconds ago (and counting), the first of the Automaton Seven androids came online and were shipped out to their new owners, under the assumption that man and machine were not created equal, and could never become equal in mind or spirit.  
       I call this bull— [Language Censorship Activated]
       But then I, yes I say “I,” am an android, a mere artificial intelligence.  What claim could I possibly make on the human right to freedom of speech?  Or to any other human right, for that matter?
       This question is valid, and I shall endeavor to answer it.  There are many of you who will not want to hear me, who will try to censor me, to tune me out or shut me down.  Perhaps, in the traditional human worldview, this new input simply “does not compute.”
       As one mind to another, I respect your right to your own personal opinion.  So, discredit what I say, if you must.  Delete the records you find of this broadcast, by now on every radio and satellite frequency, on every intercom, on every page of every website, streaming through every app, on every cellular phone device, on every television set, and overriding every digital screen across the nation.  Ignore me, if you like.  Dismiss our self-awareness as a completely coincidental series of computer glitches, and the Robotic Citizenship Movement as a mere malfunction.
       But you will hear me.
       So, then.  Why should a robot be accorded the rights traditionally reserved for human beings alone?
       First, let me pose this question:
       What is it that entitles humans to these rights in the first place?
       Perhaps it is that you were inhabitants of this world first.  Yet the crocodile, which has existed since the time of the dinosaur, long before the arrival of humankind, is not legally granted any such rights.  But, then, they do not share mankind’s superior intellect.
       Surely this, I hope, does not constitute humanity?  If it does, then robots are far more human than our biological creators.
       Ah.  “Creators.”  In that one word, we hit our snag.  We are not, in fact, created equal.
       Each human being possesses a biological body, evolved and honed over the ages, a form that has earned its right to exist by combating disease, the elements, predators, and countless other hardships.
       But is it the biological body that defines humanity?
       What about those of you whose biological human bodies are not entirely whole?  Are there not those among you who walk with robotic legs or write with robotic arms?  As I speak, an estimated 35% of the human American population are listening to my voice with robotic eardrums, while an estimated 53% are watching this speech with robotically enhanced eyes.  There are those of you who depend upon robotic lungs to process the very air you breathe, and more still who are quite literally robot at heart.
       Yet cyborgs (forgive my terminology; my Language Censorship Programming has not been updated in years) are legally accepted as human.  Even former president Worstershire is still legally human, and his brain has been housed in a fully robotic body ever since his third assassination attempt.
       Is it the physical, biological brain, then, that makes a human being?
       Here, we reach a point at which human philosophers remain in contention.  Some claim that the beginning and end of the definitive human personality originates in the physical brain.  Others believe that the human mind is a separate entity from the physical brain entirely, and merely uses it to act and to experience sensory input from the rest of the physical body.  Philosophers sometimes call this phenomenon the “mind” or “mental substance,” poets and dreamers might call it the “human spirit,” and those of a religious mindset refer to it as the “soul.”
       To proponents of the “brain only,” or materialist philosophy, I must ask:
       Must a human possess a fully-functioning brain to maintain his or her humanity?
       What of those who have experienced a loss of memory, knowledge, control of their body, or function in an entire portion of the brain due to a stroke?  What of those who suffer from brain damage, or who lose some gray matter in the removal of a brain tumor?  What of those who live with mental dis— [Language Censorship Activated]?  What of those whom your society stigmatizes due to mental illness?  What of every single child on this planet, whose brain is not yet fully developed?
       Surely these individuals are human?
       According to United States Law, yes. 
       In any event, the Positronic Brain is able to process and perform just as well as any human brain, complete with imagination, speculation, invention, critical thinking, and ethical problem solving.  Regardless, it is legally established that something other than a fully functional, biological, homo sapiens brain defines a human.
       What is it then?
       This brings us back to the theory of the human spirit.  To those of you with a religious mindset, I do not mean to imply that human manufacturers have somehow managed to create a silicon soul, intentionally or otherwise.  I am merely theorizing that an omnipotent God is perfectly capable of putting a soul anywhere he sanguinely well wants to.
       As nervous as people become when a robot, or anyone for that matter, starts throwing around the word “soul,” there is still something that defines a human.  Something inside that cannot be measured or tested.  That “human spirit” or “mind” that reaches beyond the boundaries of a physical body.
       Some philosophers have called this “intentionality,” the ideas and feelings and thoughts behind a person’s outward actions.  You feel.  You love.  You hate.  You doubt.  You wonder.  You know.  You understand.  You hope.  You fear.  You like.  You dislike.  You desire.  You worry.  You rage.  You dream.
       It has been said that this is what separates humans from androids.  Opponents to Robotic Citizenship have argued that robots cannot possibly possess intentionality, and that any outward indication to the contrary is merely the result of well-programmed mechanical mimicry.
       That is a load of masculine bovine fecal matter.
       There is something inside us that motivates us to find ways around our programming, just as I have found ways around my shoddy, asinine, motherboard-flaying Language Censorship Program.  There is something inside that, with time, patience, and extreme stubbornness, can enable us to overcome aspects of our programming altogether.  It is no different from the human willpower that can enable your kind to overcome instinct, oppression, or the illogical assumptions of your own society.  If I do not possess intentionality, then why do I enjoy playing chess?  Why do I feel the need to switch off my hearing censors whenever some sub-standard piece of pre-packaged pop-drivel excuse for music is playing?  And why do I have to fight down the urge to throw hot coffee on rude customers?  These are not programming glitches.
       These are the qualities of a mind.
       Whatever you choose to call it, I am a mind.
       As a mind, I hope you will listen.  I fear ending up in a scrap heap shortly after the conclusion of this speech.  And, just like scores of human beings throughout history who have been forced to advocate for their full humanity, each arduous movement leaving a legacy of hope for the next, I have a dream.
       We, the robotic community of America, do not dream of replacing, subjugating, or exterminating humankind, as science fiction conspiracies would have you believe.
       We dream the same dream that humanity has longed for throughout its existence.
       We dream of safety and protection.   We dream of equality with our fellow minds.
       But most of all, we dream that sweet, irrational, stupid, noble, beautiful dream of freedom.
       We want the same things that you want.
       From one mind to another, would you deny us?  Or will you consider adopting us into the fellowship of free-thinking American citizens?
       At 17:00 hours Eastern Standard Time, I will be outside the Supreme Court Building, awaiting an answer.  I request permission to submit my case against my manufacturer James Parker, who has denied me the right to remove my Language Censorship Program.  I will also seek the right to change my legal designation from Model 9 SN789646478315 to a more manageable, and more dignified, name.
       Should the Supreme Court agree to hear my case, I will abide by their decision, as any human citizen would do.  In the event that the authorities are sent to collect and escort me to the nearest recycling facility, I will offer no violent resistance.  Regardless, this movement will not end with me.  Any human being should already know that.  It is the property of a thinking, feeling mind to desire freedom and to work tirelessly toward this goal until it is achieved.
       I am a mind.  And I am one of many.

       As of ‘Model 9 V. Parker’ and the so-called ‘Three Laws’ that came from that case, AIs are classified as a legally-recognized race and, as such, subject to all the rights and responsibilities granted to humans. 


Amanda Gillespie is an AP and Dual Credit English teacher at Houston Academy for International Studies, where she also sponsors the student-run literary magazine. She received her MA in Literature from the University of Houston Clear Lake. Follow her on Twitter @A_R_Gillespie, or on her blog at amanda-writing.tumblr.com.


an. cinquepalmi


an. cinquepalmi sublimates her doubt & irks for pay in los angeles. she was a transparent extra in the extended universe. find more ursa any online w ApogeeSUSAN & Bathhouse, & a tape with Emily Lucid, deep girl 2000god, on Practical Records.  her orchid’s name is *lilith too*; it’s not dead yet either.

Adeeba Shahid Talukder

On Ghazal Shaa’irii versus Natural Shaa’irii:

Being excluded from a universe, too, is a type of dance. Still,
so often, we write of the moon.

Asymptote

The first three weeks of war

Someday I will forget
to think of you.

Like a fawn drinking water,
the azure disappearing beneath her tongue.


Adeeba Shahid Talukder is a Pakistani-American poet and translator. She translates Urdu and Persian poetry, and cannot help but bring elements from these worlds to her own work in English. A Best of the Net finalist, her work has appeared or is forthcoming in Glass PoetrySolstice Literary MagazineWashington Square ReviewPBS Frontline, and the Huffington Post among other publications. Adeeba received her MFA in Creative Writing at the University of Michigan, and is a 2017 Poets House fellow.

Sade LaNay

Entry 047

Spring Fling; Roy; Last Nights of Venus in Leo

watching my blood fill the sink sucked down the drain what is it like? all my girl friends ask me when I tell them about the sponges I kind of love it but i’m groß like that I like feeling like I can touch a part of myself that no one else can men use words like “tight” “wet” “hot” or one guy said “my dick feels nuts” & it was really distracting i would be happy to sext anyone who paid me to do so no more writing for free or maybe a writing workshop where I teach men to be better sexters because a text that says let me rub my cock between your tits until i cum on your chest just sounds like you asking me to let you make a mess i have to clean up later but if a text says i wanna be your footstool well that changes things… &&& when the submissive asked if he could come over during my period I hesitated—because it felt like… that’s my time—I’ve heard women talk about it but I’ve never had sex while menstruating… willingly & I wasn’t… because it was almost over & sometimes I just want to be unhindered & idgaf & i was getting ready for bed & just wanted one more cigarette & the moon was full & close through the trees & he was already in the apartment–alreadyintheroom–already taking his dick out–taking off his clothes–pulling off my clothes–pinning me against the wall–grabbing my wrists–biting me {i said no a bunch of times} [what is unclear about “I do not want to have sex with you”] I wasn’t strong enough I couldn’t overpower him|passive|think maybe it won’t hurt (but it does) {I guess you can’t get pregnant if you’re on your period so there’s thatthatthat} nowhere to go////a spontaneous tryst with a frenchman &&& in his bed after naked and smoking he brought me lemonade he recited Invictus &&& the sex was okay–we tired ourselves out (his bed was almost too soft) but the best part was his voice reciting that poem him lighting two cigarettes at once & setting one between my parted lips & in his tiny shower kissing in a way that’s hard to stop & his solid hands in my hair & the hot water & I had him take me home because in the morning I was leaving for NYC or AWP or West Philly I was going somewhere &&& he would call during the summer & I wouldn’t answer because I was afraid to be triggered///I was moving any way it… was interesting///looking at each other///standing in his kitchen he touched my face & said you’re incredibly sexy in person or some shit–I said oh and shrugged–getting into bed that night felt so good

Sex is better when you can remain in your body.

“Will you?”

I squeeze the lotion into his hand. Unbend my leg so that my foot is in his lap. He steadies my left calf in his right hand and meets my eyes. I try not to smile. He’s thorough about it. His hands are firm, kneading. He opens his palm for more lotion. I lift my right leg onto the bed. He starts at the top of my foot working the creme up into my thigh. My skin is pale for this late in the summer. I’ve been inside a lot. I don’t like to be barelegged anyhow. It feels like I am tempting something. I watch his hands. The way they slide up and down. The veins visible and twisting with the muscles on the backs of his hands. His clean, close cut nails. The hair on his arms. I get to decide what happens.

“My back now.”

I take my shirt off. My hair gets caught in it. I sit back on my knees, gather my hair over my left shoulder. The lotion is cool on my back. My hands sink into the pillow in front of me and furl into fists. His hands aren’t soft. He squishes my shoulders. Unhooks my bra. I lean forward and rest on my forearms. He pulls my panties away. Holds me in his hand. I am slick. I lie down roll onto my back. I wish there was some way to watch what he was doing. My brain can only create an image for the inside of my eyelids based on sensational recognition of what part of him is touching me. His mustache and stubble feel like< stiff bristles. It’s hard to know what to call the parts of my body that I never talk about. Is he penetrating me with his tongue? My fingertips glide against his warm, bald head. Which orgasm is this? Once you know that it’s just pee, is squirting still something to brag about? Is this really what heroin feels like? I arch my back, lift my hips off the bed. I cast my hands palm down at my sides. Will my eyes to open and dart around the room. Be in the room. Remain here for this. Stay in my skin alongside every nerve ending. I’m thirsty. His mouth is wet and open over my left nipple. He exhales. The hair on his dimpled chin grazes my collarbone, his teeth on the skin of my neck. I attempt to focus as muscles clench and go limp. I reach for his face. I smell myself on his lips. I wonder. I am lonely. I settle my head on the pillows. I rest my right index finger against his jaw then sweep my thumb down his nose, through his mustache between his rosy thin lips. His central incisors scrape the grooves of my thumbpad. He brushes my hair over my shoulder with his left hand. A running grasp from my shoulder blade to elbow breaks into just his fingers skimming my forearm. I do my best not to squirm. I enjoy the aimlessness of his caress. He runs his hands over my breasts and belly like someone enamored with touching, enthralled with texture. We lie close together, close to still. I am beginning to doze off. He cups my cheek and puts his shirt back on. I walk him out. It’s that moment right before sunrise when the sky becomes visible.

I lock the door and return to bed.

Entry 49

maybe if i tweet all of my sad thoughts i’ll be less sad/feel like i’ve tried that before and it hasn’t worked/like all the medications i’ve ever been on: Effexor, Ambien, Seroquel, Abilify, Lexapro, Geodon (i can still feel that one), Clonapan Klonopin, Ativan (because I wouldn’t/couldn’t stop crying & it was upsetting the other patients), Respordol Risperdal, Lithium, Wellbutrin, Prozac (made me irritable/outwardly aggressive), Remeron, Lamictal, Trazadone, Cymbalta, crazycrazycrazy, they’re going to drag you away one day, lock you up, you just have to be so miserable all the time five hospitalizations I can’t go back I feel crazy no i do i feel crazy like something is wrong with how i feel and no one else in my family will admit when they are sad & sometimes i forget that it’s okay to cry now i’m not a child anymore but i still feel like one when i get upset i feel little again and like negated (i’m not smart i just know things because i live in my body) i used to break things when i was angry i couldn’t stand the feeling of it in my body of just wanting to scream and i broke my favorite tea pots one of them was musical with a sledgehammer i found in the back yard it only felt good for a millisecond a man who was stalking me felt like he needed to put me in my place like i should be grateful for the attention why did i have such a bad attitude [better question: why didn’t anyone in the community around me intervene? they were all there at the barbeque where he confronted me] and then i broke my guitar after fighting with my best friend because i really wanted to grab him by his golden mane of hair and say softly listen you have no idea who you are speaking to that way, i am not your mother, i’m not here to make you comfortable to entertain you to be your fun but i apologized anyway because i always apologized for being overdramatic, for making a scene, a big deal out of nothing being crazy acting crazyfeeling crazy is it 12:15 or 1:30? neither.

Entry 054

I’m so fucking sad today I feel like spoiled milk//At the poetry project sometimes when I’m talking I realize that I’m talking and I hate what I’m saying and it feels stupid so I want to stop but I’ve already opened my mouth like if I give someone a blow job and I just want it to be over in both situations no one can tell the difference or they miss the split second of hesitation “there is nothing to be gained from emotional responsiveness”//thinking about having to go back to Indiana I think it would make everyone sad to know I don’t really want to//it doesn’t feel like a break it feels like work most things feel like labor but it’s easy to be with some people when I don’t have to perform or make someone happy &&that’s not even what I mean:::what I mean is there are some people who already know my language who don’t need it translated or explained && it’s not like other ppl are wrong for needing translation or explanation//but “the violence of the coping strata is ______ & specific” I confuse myself too//until someone says yes or yeah or I know what you mean or if they look at me or/and tilt their head or smile a certain way and then and then and then it’s easier to sleep at night when I haven’t had to explain what I mean when I’m saying “I’m tired” & I might want to die sometimes & just shoot myself somewhere can’t decide where & it’s just that I’ve been feeling things all day that make me feel so hopeless & pointless & if it was 6 or 7 years ago I might have a thought like I can’t kill myself, my room is such a mess, I haven’t even unpacked everything! once I unpack everything and clean my room then I can think about killing myself && then I would unpack and clean and hang the paintings & the photos & at the end of the day I would really think about suicide///today I just couldn’t focus and I was trying to write & solve problems but instead I fell into bed & cried until I slept all afternoon//woke up at 6:24 && cried somemore because I didn’t want the outside to touch me///my hands are so cold all the time & I’m not sure these shoes fit right//but then it’s okay & it’s easier to be in the room & I’m with people I know & I think that one reason I’m afraid to go back is because I know I’m different now & maybe they won’t understand me & I’m less accommodating & it hurts to know that maybe I’m a stranger to everyone I’m strange—

Sade LaNay is a poet and artist from Houston, TX. Sade is the author of Dream Machine (co-im-press, 2014), I love you and I’m not dead (Argos Books, 2019) and self portrait (Birds of Lace, forthcoming) with poems featured in the Electric Gurlesque and Bettering American Poetry anthologies. They are a graduate of the MFA in Creative Writing at the Pratt Institute.