Hussain Ahmed

Satellite Phone Call to Girls that were Once Sand Miners

Without having to lose their tongues to gravity
in a pond of brown water, I see them wash mounds of earth 

until they found Coltan. In the beginning was a pond,
shallow—but it would be enough for baptism.

their legs ankle-deep in mud, 
this is how they build a dam to keep their homes from burning, 

but end up breeding mosquitoes in the water.
our homes are rings of minerals,

we become what we walk upon. so everything ends where it begins, 
mama had been sick for months, 

but she complains the flowers in her body are dying without the sun.
anytime she sleeps with the lights on, she wakes up with smiles on her lips.

I am my mother with no flower to remediate the pains of losing her lovers to the war.
mama begged that I don’t dig deeper than my knee, 

she tells me stories about her childhood, 
when the only time she dug the ground was to bury kernelled seeds of sunflowers.

 

Satellite Phone Call to the Tourists in the Train Station

there are a thousand ways to make fire, because the sea is receding 
back into its skeleton—each day, it becomes farther from us.

how often do you dream of home when it begins to burn?
we supplicate to the sun to dry out our skin until it turns fireproof.

the branches of what grows on the train tracks when it rains
are curved arrowheads—shaped like cactuses. it colors are the remains

of the blood that stains the ground before the rains.
I was born few days before a giant fire in Kaduna, 

it is safe to say I was bred for falconry; we are always ready for flight.
in the direction of gabas, we journeyed until we find other tourists.

the train station is a purgatory of hope, we come here often
to tell ourselves of what we missed about our countries.

the cemetery and the train station have this in common; both have the incisions of the past
that refused our memory a flicker of solitude.

we left home in search of a name and became tourists of borders, 
no matter how unsafe home is, I won’t identify as an alien.

 

Hussain Ahmed is a Nigerian writer and environmentalist. His poems are featured or forthcoming in Prairie Schooner, Poetry, The Cincinnati Review, Poet Lore, The Rumpus, and elsewhere.

 

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Abbigail Baldys

[1115]

from this bed the city 
waits                on me half-awake                       (human suit!)                             watching
                                                                                                                                         the window washers saddle up high
                                                                                                                                         above river’s magenta
awnings
wavy    heat    
melodramatic vista                          straight buildings stand         far out

                                                                                                              of the water   held 
                                                                                                              in my hand

                                                                                                              every view’s a hospital

                                                                                                              i have been too 

                                                                                                              honest about looking
he can’t find my veins

i was certain     these clanking machines

the antiseptic 
the sutures                               
the cytosine

 

[1128]

                                                                                                 exhausted paradigms        work, etc.

                                                                                                 government takes it         loans, etc.

                                                                                                 have not showered
                                                                                                 one tall wall      etches Monday caffeine 
                                                                                                 a glass house     (re-upped)

                                                                                                 watching earlier: gravitational waves?
                                                                                                 dark matter?

going to be late if i continue lifting my skin with the safety pin i recognize this i continue
lifting the safety

 

centifolia

in the garden i tell you  
the old 
roses were made 
to gather 
scent until scent 
spat back wire.

the carnivorous pitcher
plant sways around 
its prism. a green 
frog clings 
to the lip.
we both wonder.

noon’s target twitches on 
our chins then 
a host of cool 
smoke.  we see 
ourselves tired of 
bodies, warm shells—

we are cruel to the succulent 
who grows as 
a rock
performs 
(safer than 
itself). 
outside the fence
a leaf tings 
its cymbal. we 
read the lines but still 
can’t keep 
the trail. 
we know we won’t 
be like other 
makers, going far 
in their borders 
with nothing 
sharp to say.

 

Abbigail Baldys is an interdisciplinary artist. She earned her MFA from Saint Mary’s College of California. Her work has appeared in 491 Magazine, Reality Beach, Three Rivers Review, Collision, and elsewhere. You can find her ignoring contact cement in South Williamsport, PA.

 

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