Marlow Moss was a Babe and So Am I
After Composition in Yellow, Black and White (1949)
Without warning dodging winter’s
seeking something to place against some sherbet
sharp as an anguish,
though I still relate
deflating in its own syrup. Here,
portal radiating like struck gold,
merry girders, plastered in bashful
your geometry, cuniform, silver
presses flat against the ceiling.
and candy cigarette. Ominous underside
you reach. Restraint can sharpen glee;
against wineglass’ singing rim. The high
enough to feel my hair’s tall attention.
choke, making me have a throat, so
quicksilver whippet, lapidary browbone,
coast, how could they not be. I plumper
jelly in the mounting heat,
slithering down the seasons. Breakpoint,
you circumference me and mark my
against the door, black lozenge of
never as high as I’d hoped: not
lifeguard, lofty as a heron, I covet foot
hair slathered in warm gelatine, duck-
like the aftermath of rain, definite as
a treble clef. Life is a bad place to leave
so I’ll be a good boy and stay becoming.
touch would be a cheap facsimile for the
Butterscotch me in symmetry; teach me
palate, heel. Show me how hunger tastes
know lilac. Pin me down on voyeur’s
where my thighs braid with pretty’s
memory— everything in me unruled,
currents breaking all over.
blanketing temperaments—
tongue, electrified violet,
fluorescence— becoming,
everything gone isosceles,
most to the nectarine
looking at summer’s door, a
am fenced in by joy’s
smiles. I am sundrunk on
balloon who strange gravity
Bitter little liquorice allsort
of cloud below eyelid where
the high pitch of your finger
pitch of your finger close
The lines of you making me
much coarser than theirs,
petalled with girls on the
specimen, cheeks rendered
knifepoint,
height
quiddity,
long as a
arch and
beak, slick
your guarantees,
Your lines so irrepressible
pleasure only eyes can take.
how colour feels against lash,
to shadow. How my knuckles
vinyl seat,
dammed

Dylan McNulty-Holmes is a writer and editor who lives in Berlin. He is the author of the chapbook Survivalism for Hedonists (Querencia Press, 2023), and the longform digital poem Half a Million Mothers, which was shortlisted for the 2022 New Media Writing Prize. His writing has been made into a T-shirt, commissioned by a trade union and read at worker protests in Jakarta, and translated into five languages. A Pushcart Prize and Best of the Net nominee, he’s been featured in journals including Split Lip, DIAGRAM, Puerto del Sol, Magma, and The New Welsh Review. Find him at dylanmcnultyholmes.com.