Esmé Kaplan-Kinsey

Everybody Loves the Sunshine

with words from a lecture by Timothy Morton and Roy Ayers’ song “Everybody Loves the Sunshine”

I am never not thinking about ecology
            and also I am never not experiencing ecology
to put it very abstractly
            ambiguity is a major chemical component
of antifascism—art being a dirty word
            for propaganda, propaganda a dirty word
for art—most things in America are from hell
            but heaven is really just hell for nice people
(consider claustrophobia, uninspired music,
            intervals easily resolved, no ambiguity whatsoever)
and philosophy is not some wire armature for ideas
            but a contact sport where mindbrains
                        bump up against each other, electrified
                                     with a particular quality of not-yet-ness
Darwin said the mere sight of a peacock’s tail made him want to vomit
            (ostensibly because its opulence undermined natural selection)
                           because he liked it (in a gay way)
And nature is (GOD) so beautiful (in a gay way)
            and I am a pack of cards
                        dropped on the floor (pick me up, pick me
up) and I’ve been playing fifty-two-card pickup
            with my gender since I realized I live
in America where everything is available
            which logically means I am in hell
but logic is how you fold your laundry
            or how clothes hang in your closet
and eco(logy) is how organisms hang together
            and phenomeno(logy) is how phenomena
hang together and no one can stop you
            (ever) from inventing new logics
by which to fold your laundry
            even if the colors make Darwin sick
I’m not explaining this very well
            which is fine because lack of diction
induces hallucination which is fun!! until
            the fascists figure it out—a violation
of the ecology of the mind where I struggle
            to remember natural beauty as queer always
queerness being a major antifascist chemical
            sometimes I forget to go outside
and then the sunshine hits my bloodstream
            like the inverse of hallucinogen
and it’s a lie—how could everyone love the sunshine
            when global capitalism has weaponized the sun?–
                         (it’s called gaslighting, it’s how ideology works)
it’s called atavism, this opposite of evolving,
            this want to unlearn humanness,
to predate logic, to lie in a field under the sun
            with no invisible rules laid across your body (impossible,
                        I know, I know)
so I am walking to the corner store
            where they sell cereal and cigarettes
and sex and race and class at bargain prices
            (we WANT you to have this!!)
and I’m pacing the aisles under sun-
            adjacent fluorescence looking for not-yet-ness
and everything here is from the past, past
            expiration date, on sale, everything must go—
and I’m thinking-feeling ecology
            (always, always)
                        thinking of sunshine, peacocks,
the store’s popcorn ceiling interspersed
            with rectangles of fake white light, as if
there’s something brighter up there—
            I’m thinking who runs this place, anyway?

 

Esmé Kaplan-Kinsey is a California transplant living in Portland, Oregon. In their writing, they hope to explore human-nature relation and deconstruct binaries that cast humankind in opposition to the natural world. Their work appears in publications such as Adroit Journal, SmokeLong Quarterly, and the Cincinnati Review. They can be found on X/Bluesky/Instagram @esmepromise.

 

 BACK TO ISSUE

 BACK TO FOLIO