Zaina Alsous

I wanted to write about Israel as a carceral state that is perpetually expanding, which echoes the spilling nature of colonialism. The effects of this are felt everywhere, within a system where capital moves freely, while peoples’ movements are violently policed. This is an attempt at honoring the rooted entanglements of struggle and resilience embodied by Third World peoples & ecologies battling white supremacist extraction. The land itself knows how to resist.

 

“Israeli Firm Chosen to Build Prototype of U.S. Border Wall with Mexico”

Most of this space could be wasted
trying to convince you—there exists
an OUTSIDE and an INSIDE. Las Neuces, 
Gila, look there is water, or purchased war
lines in tierra. Empires erase, redraw
we and them in pencil. It remains 
controversial, the question of what
exists. So instead of explaining !again!
WHO is an outside,



                              FREE SPACE                                                                                      

                              To break the weir

 

                                    Past detectability in the radar zone        unpetaled 
                        dry seed      curled inward      the Rose of Jericho      grows
                            wild      in the deserts of Palestine and Mexico      after
                         fifty years without water        the plant still        remembers
                              how to resurrect        Siempre Viva        Between
                                  OUTSIDE and there      the dead rose harbors      be

                                                                       I wait for the water     and

                                                                                              I know

 

Notes on Third World Subtraction

THE DIFFERENCE BETWEEN SCARF AND VEILED
THE DIFFERENCE BETWEEN CONTRACT AND CAUGHT 
THE DIFFERENCE BETWEEN VACCINATE AND VACANCY 
THE DIFFERENCE BETWEEN INVISIBLE AND INTEREST 
THE DIFFERENCE BETWEEN ART AND FOUND
THE DIFFERENCE BETWEEN TIME AND EROSION
THE DIFFERENCE BETWEEN RUPTURE AND RETURN
THE DIFFERENCE BETWEEN ALPHABET AND FINGER
THE DIFFERENCE BETWEEN WET AND IRRIGATE
THE DIFFERENCE BETWEEN MADNESS AND MERCY
THE DIFFERENCE BETWEEN JUDGMENT AND CELLS
THE DIFFERENCE BETWEEN SUBJECT AND WITNESS
THE DIFFERENCE BETWEEN SPECULUM AND SEX
THE DIFFERENCE BETWEEN HEIR AND STERILE
THE DIFFERENCE BETWEEN FOUNTAIN AND FEMA
THE DIFFERENCE BETWEEN LAND AND LANDED
THE DIFFERENCE BETWEEN VITAL AND VIBRANT
THE DIFFERENCE BETWEEN LUNG AND BLUE
THE DIFFERENCE BETWEEN RIOT AND ROT
THE DIFFERENCE BETWEEN ELECTION AND IMMOLATION
THE DIFFERENCE BETWEEN NAME AND NAMED
THE DIFFERENCE BETWEEN IMPORT AND SALT
THE DIFFERENCE BETWEEN BORDER AND ROUTE
THE DIFFERENCE BETWEEN BODY AND BODIES
IN THE WATER

 

Zaina Alsous is picture. Zaina looks upward and off toward the left edge of the image. Zaina has long dark black hair that lightens at the tips. Zaina wears a silver septum ring, a black sweater or dress with a deep v-neck, showing bare skin beneath. Behind Zaina, taking up the right third of the image, is an abstract image of black, red, and blue, with text above visible stating " October / January 14, ", and text below stating "Ferber (American, 1906-1991) / #6, 1959 / magna on canvas".

Zaina Alsous is a Palestinian writer and abolitionist. You can find some of her work in The Offing, The New Inquiry, Mask Magazine, the Boston Review, and elsewhere. Her chapbook Lemon Effigies is forthcoming from Anhinga Press. 

 

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